Geser sedikit tirai itu
Agar cahaya matahari dapat langsung
Masuk kedalam kamarku sebab biasanya
Ia pada saat-saat seperti ini akan
Bermain-main diatas tempat tidurku
Menyibakkan gaunku
Dan dengan kekurang ajaran yang kusukai
Ia akan mengintai kedalam
Celah pahaku mungkin merenung sejenak sebelum
Bertanya:
“kehidupan bagaimanakah yang akan
Lahir dari tempat ini?”
Karena itu tolong geser sedikit
Tirai itu biar ia masuk sebelum
Bidan itu datang
Ballet is exciting to do, and to watch.
It is an entertaining theatrical art, performed on stage to an audience. Ballet is about art, but it is also about life. Classical ballet technique was established centuries ago in the courts of Europe, and it has been evolving ever since as dance teachers, artists and researchers refine approaches to training and add to the vocabulary of steps and movements that are unique to the ballet discipline.
Ballet dancers are fit, strong and flexible, and they are lifelong students. They take class every day of their lives to keep in shape, to maintain the quality of their style and technique, and to enjoy the community of other dancers. To be able to perform at the best of their ability, dancers need focus, commitment and a capacity for hard work.
A ballet performance enables dancers to communicate with an audience. The creation of a ballet starts with an idea or a movement which is nurtured, tried out, modified, tried again, talked through, tried again, refined, practised and presented, then reflected upon and finally remembered.
On a crowded stage, dancers are able to kick, run, jump and turn without hitting each other. This is because they have a highly developed kinaesthetic sense, a sensibility of who is where, a perception of speed and trajectory, and respect for one another’s performance space. A performance is a successful model for our crowded world, where people working in concert learn to adjust and compromise.
There are a few new characters: Sharpay's personal assistant Tiara Gold (Jemma McKenzie-Brown), and Troy's hangers-on, Rocket Man (Matt Prokop) and Donny Dion (Justin Martin), who may give the franchise life beyond its original cast (if they make some headway in the likability department). Ada beberapa karakter baru: Sharpay asisten pribadi Tiara Gold (Jemma McKenzie-Brown), dan Troy's jelas-on, Rocket Man (Matt Prokop) dan Donny Dion (Justin Martin), yang dapat memberikan hak hidup melebihi aslinya cast ( jika mereka membuat beberapa kemajuan dalam likability departemen). But it's all about the songs and the dances. Tapi itu semua tentang lagu dan tarian. Ryan and Sharpay sizzle in a classic-musical tribute "I Want It All"; Troy and Gabriella share a rooftop waltz in "Can I Have This Dance"; and Troy and Chad blow off steam in a salvage yard in "The Boys Are Back." Ryan dan Sharpay desar dalam musik klasik-penghargaan "I Want It All"; Troy dan Gabriella berbagi nok wals dalam "Dapatkah saya ini Have Dance"; dan Troy dan Chad mengeluarkan isi hati dalam penyelamatan pekarangan dalam "The Boys Are Back . " "Now or Never" is this film's "sports song," and Troy and Gabriella have their big duet "Just Wanna Be With You" and their own showcases, in "Scream" and "Walk Away," respectively. "Now or Never" ini adalah film "olahraga lagu", dan Troy dan Gabriella besar mereka memiliki duet "Just Wanna Be With You" dan menampilkan mereka sendiri, dalam "Scream" dan "Walk Away," masing-masing. If the closing anthem, "High School Musical," seems on the self-congratulatory side, it's a rare misstep in a series that has made a generation of tweens (especially girls) sing and dance and realize they can be whatever they want to be. --David Horiuchi Jika penutup anthem, "High School Musical," Sepertinya pada diri ucapan selamat sisi, it's a langka di salah satu rangkaian yang telah membuat generasi tweens (terutama perempuan) menyanyi dan menari dan mereka dapat mewujudkan apa yang mereka ingin . - David Horiuchi
Ada waktu untuk merayakan sebagai Disney High School Musical fenomenal hits baru tinggi di High School Musical 3: Senior Year! Fresh from the big screen, this motion picture extravaganza delivers non-stop entertainment from start to finish! Segar dari layar lebar, film ini hebat sekali memberikan hiburan non-stop dari awal hingga selesai! It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor - and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they ll remember forever. It's almost hari untuk kelulusan SMA para Troy, Gabriella, Sharpay, Chad, dan Ryan Taylor - dan pemikiran di kepala terpisah setelah meninggalkan arah Timur ini memiliki tinggi Wildcats berpikir mereka perlu melakukan sesuatu mereka akan ingat selamanya. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. Bersama dengan sisa Wildcats, mereka tahap air musik mereka mencerminkan harapan dan ketakutan tentang masa depan mereka dan pengalaman yang tak terlupakan bersama-sama tumbuh dewasa. But with graduation approaching and college plans in question, what will become of the dreams, romances, and friendships of East High's senior Wilcats? Tetapi dengan mendekati kelulusan sekolah dan rencana tersebut, apa yang akan menjadi mimpi, romances, dan persahabatan Timur tinggi senior Wilcats?
Ada waktu untuk merayakan sebagai Disney High School Musical fenomenal hits baru tinggi di High School Musical 3: Senior Year! Fresh from the big screen, this motion picture extravaganza delivers non-stop entertainment from start to finish! Segar dari layar lebar, film ini hebat sekali memberikan hiburan non-stop dari awal hingga selesai! It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor - and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they ll remember forever. It's almost hari untuk kelulusan SMA para Troy, Gabriella, Sharpay, Chad, dan Ryan Taylor - dan pemikiran di kepala terpisah setelah meninggalkan arah Timur ini memiliki tinggi Wildcats berpikir mereka perlu melakukan sesuatu mereka akan ingat selamanya. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. Bersama dengan sisa Wildcats, mereka tahap air musik mereka mencerminkan harapan dan ketakutan tentang masa depan mereka dan pengalaman yang tak terlupakan bersama-sama tumbuh dewasa. But with graduation approaching and college plans in question, what will become of the dreams, romances, and friendships of East High's senior Wilcats? Tetapi dengan mendekati kelulusan sekolah dan rencana tersebut, apa yang akan menjadi mimpi, romances, dan persahabatan Timur tinggi senior Wilcats?
Find out what happens to all your favorite characters in the big screen musical sensation, High School Musical 3: Senior Year ! Mengetahui apa yang akan terjadi dengan semua karakter favorit Anda di layar lebar sensasi musikal, High School Musical 3: Senior Year! It's a fabulous celebration the whole family will love! It's a fabulous perayaan seluruh keluarga akan love!
![Tchaikovsky: Swan Lake [DVD Video]](http://ecx.images-amazon.com/images/I/412lpH4nmwL._SL500_SS75_.jpg) | + |  | + |  |
 | + |  | + |  |
 | + | ![Prokofiev: Romeo & Juliet [DVD Video]](http://ecx.images-amazon.com/images/I/31LjBkLryNL._SL500_SS75_.jpg) |
 | + |  |
From The Royal Theatre, Copenhagen; The Royal Danish Ballet. Music By E Helsted, G Rossini, Niels W Gade, H S Paulli, H C Lumbye.
Gennaro, a fisherman: Arne Villumsen
Veronica, a widow: Mona Jensen
Teresina, her daughter: Linda Hindberg
Fra Ambrosio, a monk: Tommy Frishøi
Giacomo, a macaroni seller: Fredbjørn Bjørnson
Peppo, a lemonade seller: Flemming Ryberg
Giovanina: Annemarie Dybdal
Pascarillo, a street singer: Michael Bastian
A ballet of the Renaissance was a far cry from the form of theatrical entertainment known to audiences today. Tutus, ballet slippers and pointe work were not yet used. The choreography was adapted from court dance steps.[7] Performers dressed in fashions of the times. For women that meant formal gowns that covered their legs to the ankle.[8] Early ballet was participatory, with the audience joining the dance towards the end.
Jean-Baptiste Lully, an Italian composer serving in the French court, played a significant role in establishing the general direction ballet would follow for the next century. Supported and admired by King Louis XIV, Lully often cast the king in his ballets. The title of Sun King for the French monarch, originated in Louis XIV's role in Lully's Ballet de la Nuit(1653).Lully's main contribution to ballet were his nuanced compositions. His understanding of movement and dance allowed him to compose specifically for ballet, with musical phrasings that complemented physical movements.Lully also collaborated with the French playwright Molière. Together, they took an Italian theatre style, the commedia dell'arte, and adapted it into their work for a French audience, creating the comédie-ballet. Among their greatest productions was Le Bourgeois Gentilhomme (1670).Later in life, Lully became the first director of the Théâtre de l'Académie Royale de Musique when its scope was expanded to include dance.Jean-Baptiste Lully brought together Italian and French ballet to create a legacy that would define the future of ballet.The first ballet school was in France, taught by Juliette Blanche. Its terminology crystallized there. Nearly every movement in ballet is described by a French word or phrase. The drawback of the common terminology is that dancers must learn the French names for the steps and movements; the advantage is that they can take a ballet class anywhere in the world and, no matter how unintelligible the rest of the talk is, the terminology will still be in French and therefore understood. (You even wish dancers good luck in French. Actors wish one another good luck before a performance by saying, "Break a leg!" Dancers say, "Merde!", a French expletive.)
Reforms were made in ballet composition by composers such as Christoph Gluck. Finally, ballet was divided into three formal techniques sérieux, demi-caractère and comique. Ballet also began to be featured in operas as interludes called divertissements.
Sergei Diaghilev brought ballet full-circle back to Paris when he opened his company, Ballets Russes. It was made up of dancers from the Russian exile community in Paris after the Revolution.
Diaghilev and composer Igor Stravinsky combined their talents to bring Russian folklore to life in The Firebird and Petrushka. The most controversial work of the Ballets Russes was The Rite of Spring. Many Americans associate Rite of Spring with the dinosaur episode in Walt Disney's Fantasia, but the ballet's modern music and theme of human sacrifice shocked audiences so much they rioted.
After the “golden age” of Petipa, Michel Fokine began his career in St. Petersburg but moved to Paris and worked with Diaghilev and the Ballets Russes.
Russian ballet continued development under Soviet rule. There was little talent left in the country after the Revolution, but it was enough to seed a new generation. After stagnation in the 1920s, by the mid-1930s that new generation of dancers and choreographers appeared on the scene. The technical perfection and precision of dance was promoted (and demanded) by Agrippina Vaganova, who had been taught by Petipa and Cecchetti and headed the Vaganova Ballet Academy, the school to prepare dancers for the Kirov Ballet in St. Petersburg/Leningrad.
Ballet was popular with the public. Both the Moscow-based Bolshoi and the St. Petersburg (then Leningrad)-based Kirov ballet companies were active. Ideological pressure forced the creation of many socialist realist pieces, most of which made little impression on the public and were removed from the repertoire of both companies later.
Some pieces of that era, however, were remarkable. The Romeo and Juliet by Prokofiev and Lavrovsky is a masterpiece. The Flames of Paris, while it shows all the faults of socialist realist art, pioneered the active use of the corps de ballet in the performance and required stunning virtuosity. The ballet version of the Pushkin poem, The Fountain of Bakhchisarai with music from Boris Asafiev and choreography by Rostislav Zakharov was also a hit.
The well-known ballet Cinderella, for which Prokofiev provided the music, is also the product of the Soviet ballet. During the Soviet era, these pieces were mostly unknown outside the Soviet Union and later outside of the Eastern Bloc. However, after the collapse of the Soviet Union they got more recognition.
The 1999 North American premiere of The Fountain of Bakhchisarai by the Kirov Ballet in New York was an outstanding success, for example. The Soviet era of the Russian Ballet put a lot of emphasis on technique, virtuosity and strength. It demanded strength usually above the norm of contemporary Western dancers. The talent of their prima ballerinas such as Galina Ulanova or Natalya Dudinskaya and choreographers such as Pyotr Gusev can only be marvelled when watching restored old footage.
Russian companies, particularly after World War II engaged in multiple tours all over the world that revitalized ballet in the west and made it a form of entertainment embraced by the general public.
Dan jika engkau bertanya, bagaimanakah tentang Waktu?….
Namun keabadian di dalam dirimu adalah kesadaran akan kehidupan nan abadi,
Dan bukanlah sang waktu sebagaimana cinta, tiada terbagi dan tiada kenal ruang?Tapi jika di dalam pikiranmu haru mengukur waktu ke dalam musim, biarkanlah tiap musim merangkum semua musim yang lain,Dan biarkanlah hari ini memeluk masa silam dengan kenangan dan masa depan dengan kerinduan. | ||
Buang semua puisi yang pernah kuberi !
Lupakan semua kata mesra yang kuucap !
Perhatikan saja berapa lama aku disini
Berhentilah untuk menatap masa lalu
Rajutlah impian kita setiap waktu
Tanpa ada egomu… tanpa ada egoku
Berjalanlah bersama sebagai satu
Sebab cinta tak hanya ingin sementara
Belajarlah untuk s’lalu mengerti
Belajarlah untuk s’lalu memberi
Jadikan kesuciannya itu abadi s’lamanya
RSS Feed (xml)